Strictly
Come Dancing has made an enormous impact on the way mainstream society views
dance. It has partly been responsible for dance class fitness such as “Zumba”
and the new “FitSteps”: (http://fan.fitsteps.co.uk). Thus
making the Great British public to “Keeeep Dancing” this is done through a mode
of entertainment. It also shows how accessible dance is for everyone and how
much amateur contestants develop and accelerate through their learning. Like it
or not it has changed peoples perceptions.
American
guest judge Donny Osmond commented on contestant Steve Backshall and his
partner should take him clubbing to “find his body” My opinions and Donny’s was
that his upper body though built and muscular was to rigid and stiff and I
agree with Donny! Some stuff in the Jazz aesthetic can’t be taught in a studio
or classroom!
Ideas
on this was that it strikes a chord on my research in Jazz Dance and how a lot
is passed on in communities at the nightclub and how it takes a less formal
person to thoroughly study Jazz practically because theirs a feeling from the
music
“New Orleans jazz
music is contrived to make the listener move, gyrate and wiggle, and this kind
of music seemed to fit naturally into my body and flow through my bloodstream.”
Giordano (1975:V)
These feelings unlike ballet that is cranium
lead it comes from the stomach in Jazz (Giordano: 1975). From your gut that’s
where you feel the music, that’s where you can feel soul and that’s where the
magic happens.
There
are a lot of theories presented on why Jazz Dance can be studied through
academia and at BA level, (Dr Kym Vaccaro). However I now feel a lot of energy
can be wasted on the fight, which could be channeled into creating something
and finding the right way in channeling your theories.
In
my research of Jazz Dance It has been hard tracking down specialist literature
and African practice. My class in Liverpool was cancelled, so I am definitely
looking forward to the term ahead practically and theoretically.
What
are your perceptions on Jazz Dance? Mine have changed significantly so far and
can’t wait to share more.
Lastly
please view this video below on my new favorite choreographers [Friedman B
& Marshall Y] their work is stellar and pushes peoples perceptions of
commercial dance through barriers of gender. It definitely reminds me of how
bizarre and surreal my life was as a Funny Girl in Blackpool two years ago and
how much my life has changed now. And how perceptions shouldn’t be built with
walls. What are your perceptions?